Let’s listen to “To See My Angel Cry” by Conway Twitty, a tender and emotionally resonant ballad that explores the heartache of witnessing your loved one in pain and the longing to soothe their sorrow. With Conway’s emotive and expressive delivery, this track unfolds like a gentle confession—honest, poignant, and deeply heartfelt.

Conway Twitty – “To See My Angel Cry”

About the Song

Conway Twitty, one of the most influential voices in country music, enjoyed a career that spanned more than three decades. Known for his smooth baritone and deeply emotional ballads, he gave country fans countless timeless classics. Among them, “To See My Angel Cry”, released in 1969, remains one of his most beloved songs.

A Heartbreaking Ballad

The song tells the story of a man devastated after losing his lover. His pain is so overwhelming that the thought of seeing her cry only deepens his heartbreak. With simple yet powerful lyrics, Twitty captures the raw emotions of love, loss, and longing in a way that listeners immediately connect with.

Chart Success

“To See My Angel Cry” became a major hit for Conway Twitty, reaching number one on the Billboard Hot Country Singles chart and spending one week at the top. It also crossed over to the pop charts, becoming a Top 40 hit on the Billboard Hot 100 — a testament to its universal appeal. The song was released as the first single from Twitty’s album of the same name.

Songwriting and Legacy

The track was co-written by Conway Twitty, L.E. White, and Charles Haney. Over time, it has been covered by several country legends, including Loretta Lynn, Tammy Wynette, and George Jones, further cementing its place as a country standard.

More than 50 years after its release, “To See My Angel Cry” continues to resonate with fans. Its enduring beauty lies in its sincerity — a ballad that perfectly embodies Twitty’s gift for turning human emotions into unforgettable music.

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A song can change in a heartbeat. When Willie Nelson first covered “Don’t Let the Old Man In,” it felt like a wise reflection from a long life. But after Toby Keith’s final, heartbreaking performance and his passing just months later, Nelson’s version became an elegy—a quiet, powerful tribute from one icon to another. It’s no longer just a song about aging; it’s a memorial carrying the weight of two legacies, a final nod to a friend who was truly “one of us…”

When Marty Robbins stepped under the bright lights of The Midnight Special in the 1970s, the audience didn’t just hear a song—they witnessed a master storyteller at work. With a microphone in hand and that easy smile hiding the pain of the lyrics, he delivered “Devil Woman” the way only he could: tender, haunting, and unforgettable. The hit that had topped the Billboard Hot Country Singles chart in 1962 came alive again, this time in front of a late-night TV crowd more used to rock ’n’ roll than country ballads. Yet Marty held them in the palm of his hand, spinning a tale of love and betrayal with every note. His voice carried the weight of heartbreak, but also the charm that made millions fall in love with his music. It was one of those rare moments where country music broke down barriers, proving that a good story—told with heart—speaks to everyone.

By 1981, Marty Robbins had already lived a lifetime of songs — the victories, the heartbreaks, the long roads of a career that spanned three decades. And in the album Everything I’ve Always Wanted, he circled back to the song that started it all: “I’ll Go On Alone.” Nearly thirty years earlier, it had been his first number-one country hit, the song that introduced him to the world. But this time, his voice carried something different — not just the resolve of a young man leaving love behind, but the wisdom of someone who had weathered life’s storms and understood what solitude truly meant. The edges were softer, the delivery more tender, almost as if Marty was revisiting an old letter he once wrote to himself, now reading it with a heart full of memories. Hearing this later version feels like standing beside him, looking back over the miles he had traveled — from cowboy ballads to chart-topping hits — and realizing that the same spirit from 1952 still burned bright, only deeper and more human.

A song can change in a heartbeat. When Willie Nelson first covered “Don’t Let the Old Man In,” it felt like a wise reflection from a long life. But after Toby Keith’s final, heartbreaking performance and his passing just months later, Nelson’s version became an elegy—a quiet, powerful tribute from one icon to another. It’s no longer just a song about aging; it’s a memorial carrying the weight of two legacies, a final nod to a friend who was truly “one of us…”

Let’s listen to “To See My Angel Cry” by Conway Twitty, a tender and emotionally resonant ballad that explores the heartache of witnessing your loved one in pain and the longing to soothe their sorrow. With Conway’s emotive and expressive delivery, this track unfolds like a gentle confession—honest, poignant, and deeply heartfelt.

When Marty Robbins stepped under the bright lights of The Midnight Special in the 1970s, the audience didn’t just hear a song—they witnessed a master storyteller at work. With a microphone in hand and that easy smile hiding the pain of the lyrics, he delivered “Devil Woman” the way only he could: tender, haunting, and unforgettable. The hit that had topped the Billboard Hot Country Singles chart in 1962 came alive again, this time in front of a late-night TV crowd more used to rock ’n’ roll than country ballads. Yet Marty held them in the palm of his hand, spinning a tale of love and betrayal with every note. His voice carried the weight of heartbreak, but also the charm that made millions fall in love with his music. It was one of those rare moments where country music broke down barriers, proving that a good story—told with heart—speaks to everyone.

By 1981, Marty Robbins had already lived a lifetime of songs — the victories, the heartbreaks, the long roads of a career that spanned three decades. And in the album Everything I’ve Always Wanted, he circled back to the song that started it all: “I’ll Go On Alone.” Nearly thirty years earlier, it had been his first number-one country hit, the song that introduced him to the world. But this time, his voice carried something different — not just the resolve of a young man leaving love behind, but the wisdom of someone who had weathered life’s storms and understood what solitude truly meant. The edges were softer, the delivery more tender, almost as if Marty was revisiting an old letter he once wrote to himself, now reading it with a heart full of memories. Hearing this later version feels like standing beside him, looking back over the miles he had traveled — from cowboy ballads to chart-topping hits — and realizing that the same spirit from 1952 still burned bright, only deeper and more human.