“Scroll down to the end of the article to listen to music.”
Introduction
Hank Snow, a name synonymous with classic country music, was not only a prolific singer but also an influential artist whose songs have left a lasting impact on the genre. One of his notable songs, “Ninety Miles An Hour (Down A Dead End Street),” captures the essence of his storytelling prowess and musicality. Through his music, Snow was able to evoke emotions and paint vivid pictures of life, love, and heartache. His work remains a testament to his talent and his ability to connect with audiences across generations.
About The Composition
- Title: Ninety Miles An Hour (Down A Dead End Street)
- Composer: Hal Blair and Don Robertson
- Premiere Date: Unknown
- Album/Opus/Collection: Unknown
- Genre: Country
Background
Hank Snow’s “Ninety Miles An Hour (Down A Dead End Street)” is a song that encapsulates the energy and narrative style that characterized much of Snow’s work. Although the exact inception date of the song is not well-documented, Snow’s career began in the 1930s, reaching significant popularity in the 1950s and 1960s. The song has been recognized for its storytelling and ability to convey the emotional tumult of life’s unpredictable journeys. Upon its release, it was met with appreciation from country music enthusiasts who found resonance in Snow’s compelling storytelling.
Musical Style
The musical style of “Ninety Miles An Hour (Down A Dead End Street)” is quintessentially country, featuring traditional instrumentation such as guitars and fiddles, with a rhythmic structure that supports the lyrical narrative. The song’s melody is both engaging and memorable, which allows the lyrics to take center stage, a hallmark of Snow’s musical approach.
Lyrics/Libretto
The lyrical themes of the song explore the idea of life moving at a reckless pace, drawing a parallel between personal experiences and driving at high speeds down a dead-end street. This metaphor is used to depict the potential dangers of making impulsive decisions, capturing the listener’s imagination with vivid imagery and emotional depth.
Performance History
Over the years, Hank Snow’s “Ninety Miles An Hour (Down A Dead End Street)” has been performed by numerous artists, further solidifying its place in the country music canon. Its narrative strength and musical appeal have made it a favorite in live performances and radio broadcasts, keeping it alive in the hearts of country music fans.
Cultural Impact
The cultural impact of the song is evident in its appearances in various media and its influence on other country musicians. It has been covered by renowned artists, demonstrating its timeless appeal and the way it resonates with themes that are universally understood and felt.
Legacy
Today, “Ninety Miles An Hour (Down A Dead End Street)” remains an enduring piece of Hank Snow’s legacy. Its ability to capture the essence of life’s unpredictability continues to make it relevant and appreciated by new generations of listeners, ensuring that Snow’s musical contributions are not forgotten.
Conclusion
Reflecting on Hank Snow’s contributions to country music, it’s clear that his songs, like “Ninety Miles An Hour (Down A Dead End Street),” offer a window into the soul of Americana. I encourage you to explore more of his work to fully appreciate the depth and breadth of his influence on the genre. Snow’s music stands as a testament to the power of storytelling through song.
Video
Lyrics
I took you home from a party
And we kissed in fun,
A few stolen kisses and no harm was done.
Instead of stopping when we could,
We went right on,
Until suddenly we found
The brakes were gone.
You belong to someone else and I do too.
It’s just too crazy being here with you.
As a bad motorcycle with the devil in the seat,
Doin’ 90 miles an hour down a dead end street.
I didn’t want to want to now I have no choice.
It’s too late to hear the warning voice.
All I hear is thunder as our two hearts beat,
Doin’ 90 miles an hour down a dead end street.
You’re not free to belong to me
and you know I can never be your own.
Your lips on mine are like sweet sweet wine,
But we’re headed for a wall of stone.
Warning signs are flying by us
But we pay no heed,
Instead of slowing down the pace
We keep pickin’ up the speed.
Disaster’s getting closer every time we meet.
Doin’ 90 miles an hour down a dead end street.